When
Thursday 9 July
10:00 · ~3 hours
Hours
Tue–Sun 10:00–19:00
Focus
- Caravaggio
- Raphael
- Pietro da Cortona ceiling
- Bernini & Borromini architecture
The full story
Architectural details
- Architect
- Carlo Maderno, Gian Lorenzo Bernini, Francesco Borromini
- Built
- 1625–1633
- Style
- Baroque
- Materials
- Travertine marble, brick, stucco, fresco
- Dimensions
- Central block approximately 60m wide, main hall 26m x 15m (dimensions are approximate for reference)
- Restorations
- The palace has undergone various structural and artistic restorations throughout its history, preserving its original grandeur and frescoes.
Must-see highlights
- The Grand Salone with Pietro da Cortona's 'Triumph of Divine Providence' ceiling fresco is the absolute centerpiece. Stand in the center of the hall to fully appreciate the illusionistic depth and movement.
- Bernini's grand monumental staircase, with its elegant spiraling design and rich sculptural details, showcases the architect's mastery of drama and light.
- Borromini's smaller, oval 'snail-shell' staircase offers a contrasting, more intimate, yet equally innovative design, reflecting his unique architectural genius.
- Caravaggio's 'Judith Beheading Holofernes' in the gallery is a powerful and graphically intense painting, a key work demonstrating the artist's dramatic use of chiaroscuro.
- Raphael's 'La Fornarina,' a portrait of his rumored mistress, is celebrated for its beauty and the intimate gaze of the subject, offering a glimpse into human emotion during the Renaissance.
- The Barberini apartment on the piano nobile, with its original furnishings and decorations, provides insight into the lavish lifestyle of a 17th-century aristocratic family.
Historical context
The Palazzo Barberini was commissioned by Cardinal Francesco Barberini, nephew of Pope Urban VIII (Maffeo Barberini), at the height of the family's power and wealth. Its primary purpose was to serve as the principal residence for the Barberini family, a grand statement of their status, power, and cultural patronage in Rome. Pope Urban VIII himself was a significant patron of the arts, and the construction of the palace was a major undertaking of his pontificate, symbolizing the Baroque papacy's ambition to transform Rome into a magnificent display of Catholic triumph. After the Barberini family's decline in the late 17th century, the palace remained in their ownership, though parts were occasionally rented out. In the 20th century, it became state property and, following extensive restoration, was designated as one of the two main sites for the Galleria Nazionale d'Arte Antica (National Gallery of Ancient Art), housing a vast collection of paintings from the 13th to the 18th century, thus repurposing it as a public cultural institution while preserving its historical and artistic integrity.
Viewing tips
- Visit in the morning right after opening (around 10 AM) to experience the Grand Salone and other major rooms with fewer crowds and more serene light.
- For the 'Triumph of Divine Providence,' bring a small pair of binoculars or use your phone's zoom to appreciate the intricate details of the fresco from below.
- Wear comfortable shoes as the palace is vast and involves a fair amount of walking and stair climbing; the Borromini staircase in particular is spiral.
- Consider purchasing tickets online in advance to save time queuing, especially during peak tourist seasons (spring and fall).
- Allocate at least 2-3 hours to fully explore both the architectural features and the extensive art collection, allowing for unhurried appreciation.
- Stand at the foot of both Bernini's and Borromini's staircases, then ascend each one to compare their contrasting designs and spatial experiences.
Fun facts
- The construction of Palazzo Barberini was so expensive that it contributed to a steep increase in taxes for the Roman populace, leading to unrest.
- Bernini and Borromini, two of the greatest rivals in Baroque architecture, both worked on this palace, with Bernini initially taking over from Maderno and Borromini as his assistant before developing his own distinct projects within the building.
- The bees, the heraldic symbol of the Barberini family, are ubiquitous throughout the palace's decorations, from frescoes to marble carvings.
- Pietro da Cortona's 'Triumph of Divine Providence' took six years (1633-1639) to complete, showcasing the enormous effort and artistic skill involved in such monumental frescoes.
- The palace was briefly occupied by Nazi forces during World War II, who used it as a headquarters for their command in Rome.
- Borromini's 'snail-shell' staircase is famously without central support, relying on ingenious engineering to create its dizzying ascent.